| Theory  1: Hypodermic Needle Model | 
| Theorist/s: Harold Lasswell | 
| When did the theory start? The theory started around World War, 1927. | 
| What is the theory? The theory is basically about injecting thoughts and values and beliefs in the audience. The mass media in the 1940s and 1950s were perceived as a powerful influence on behaviour. the fast rise and popularisation of radio and television the emergence of the persuasion industries, such as advertising and propaganda the Payne Fund studies of the 1930s, which focused on the impact of motion pictures on children Hitler’s monopolization of the mass media during WWII to unify the German public behind the Nazi party. | 
| Does this theory see the
  audience as active or passive? Why do you think this? They see the audience as being passive as they basically absorb everything in and believe everything you see. The model was used for years to convince us that the media could have such terrible and dangerous influence over our lives. The theory works around the idea of “copycat” – that is to say that it assumes the audience will copy whatever they see on screen. | 
| Apply the theory to a film
  of your choice. If the theory is correct, what will be the response of the
  audience to the film? An example of this part of the theory been put into use is the James Bulger case in 1993. His killers Robert Thompson and Jon Venables, aged ten, had seen a very graphic scene from the film ‘Chucky’ and decided they would re-in-act some of the graphic events from the film on a young boy. He was subjected to such awful and sick violence from two ten year old children, who should not in themselves be subject to such violence through the media. However, the two boys were passive when watching ‘Chucky’ and were less sensitive to the violence, meaning they thought it was acceptable to carry out such violence in reality. | 
| 
Theory  2:  
Reception Theory | 
| 
Theorist/s: 
Stuart Hall | 
| 
When did the theory start? 
The theory started In the late 1960s. | 
| 
What is the theory? 
The theory is about when media texts encode messages and then the
  audience decode them. This depends on the responses and mainly the cultural background.  
Reception theory provides a means of
  understanding media texts by understanding how these texts are read by
  audiences. Theorists who analyse media through reception studies are
  concerned with the experience of cinema and television viewing for
  spectators, and how meaning is created through that experience. An important
  concept in reception theory is that the media text—the individual movie or
  television program—has no inherent meaning in and of itself. Instead, meaning
  is created in the interaction between spectator and text; in other words,
  meaning is created as the viewer watches and processes the film. | 
| 
Does this theory see the
  audience as active or passive? Why do you think this? 
This theory sees the audience as active as you are making up your own
  mind. | 
| 
Apply the theory to a film
  of your choice. If the theory is correct, what will be the response of the
  audience to the film? 
The movie ‘Toy Story’, in 1995, allowed for both children and adults
  to connect to the movie.  Pixar targets both active audiences because without the adults taking the
  children to the movies, they wouldn’t be able to go at all.  
The movie must be
  worthwhile for parents to take their time to bring their child to the movie and
  so the reception theory is put into place. 
  By making the scenes polysemic it allows for negotiated meanings,
  which means, "In reception studies when an audience member creates a
  personally meaningful interpretation of content that differs from the preferred
  reading in important ways" 
 ‘Toy Story’, brings the childhood memories
  back to adults of playing make believe games with their toys and action
  figures,  allowing them to reminisce on
  prior experiences and behaviours to the make the movie entertaining which in
  turn helps them derive their own interpretation of the film.  Children see the movie as their present day
  experiences, relating to the movie first hand.  Their imaginations’ are stimulated and the
  actuality of the film, (talking toys), becomes a fantasised reality for the
  kids allowing them to make their own interpretations, different from their
  parents.  Overall, children see the
  preferred reading, "the meaning the producer intended to make", and
  parents see a negotiated meaning allowing both audience groups to be
  entertained by their own interpretations. 
An example scene from the movie that properly illustrates a good
  example of the reception theory is the scene where the toys from the movie
  confront the physically abusive kid, Sid, about treating Woody and Buzz along
  with his other toys better. | 
| 
Theory  3:  
Uses and Gratifications Theory | 
| 
Theorist/s: 
Laswell Blumer & Katz | 
| 
When did the theory start? 
The late 1960s. | 
| 
What is the theory? 
Most of the theories on media explain about the effects media has on
  people. It is the theory which explains how people use media for their
  need and gratification. This theory states what media does to people and not
  what people do with media. 
Theorists argue that people's needs influence how they use and
  respond to a medium. 
Uses & Gratification can be seen as part of a broader trend
  amongst media researchers which is more concerned with 'what people do with
  media', allowing for a variety of responses and interpretations. However,
  some commentators have argued that gratifications could also be seen as
  effects, for example thrillers are likely to generate very similar responses
  amongst most viewers. | 
| 
Does this theory see the
  audience as active or passive? Why do you think this? 
Its an active audience as it chooses for different reasons: and the
  reasons are: 
To be informed and educated,
  to be entertained, to gain personal identify example the
  character traits as you are or the ones you gain while you watch as well as you
  can match  your identities with
  characters 
Integration and social
  interaction and escapism from
  reality as to be someone or something your not. 
Levy & Windahl (1985) provide a good description of what it means
  to be an "active consumer" of media: 
"As commonly understood by gratifications researchers, the term
  "audience activity" 
it
  suggests that media use is motivated by needs and goals that are defined by
  audience members themselves, and that active participation in the
  communication process may facilitate, limit, or otherwise influence the
  gratifications and effects associated with exposure. Current thinking also
  suggests that audience activity is best conceptualized as a variable
  construct, with audiences exhibiting varying kinds and degrees of activity. | 
| 
Apply the theory to a film
  of your choice. If the theory is correct, what will be the response of the
  audience to the film? 
Most films are produced as entertainment for this is what audiences
  most want and therefore the film is most likely to make money. Any film that
  becomes much talked about (social interaction) can be considered an 'event
  movie'. If you have not seen the 'event movie' then you are likely to be left
  out of certain conversations. An example of this can be found in the movie, The Blair Witch
  Project (1999).  Handheld footage. Non-diegetic sound of the ‘Doom’ when introducing the credits which explain ‘The project’ and also when the ‘Witch’ is near, almost simple but tense music. The use of silence when listening to important dialogue presented by the initial characters. Diegetic sound of the teenagers dialogue, screaming, interviews with local people who tell us (the spectator) about what they know of the 'Blair Witch’ and use of footsteps and branches snapping. this film as a whole is not really mainstream and the actors within this film aren't heard of so this makes the movie more realistic and believable for the spectator because of the non recognition the characters. 
      The plot of the movie is introduced and it gives us initial
  ideas of what has happened, and what is going to happen within the movie
  without giving away the key scenes. The use of editing in the movie is not really that advanced and the pace is slow as it involves hand held shots performed by the ‘characters’ within, the use of cutaways aren't as intense however they still have strong effect on the audience and the use of the black cutaway to introduce the credits are involved to keep the audience interested and to keep them on track. | 
| 
Theory  4:  
Two Step Flow Theory | 
| 
Theorist/s: 
Paul Lazerfield, Bernard Berelson & Hazel Gaudet 
Lazerfield & Katz | 
| 
When did the theory start? 
Started around the presidential elections, 1944 as it impacts on the
  ways they worked. | 
| 
What is the theory? 
Mass media communicates with people, opinion leaders as the rest of
  the audience. 
When you’ve got someone between you and the original message and the
  opinion leaders choose what they show you and then what the influence is. 
This theory asserts that information from the media moves in two
  distinct stages. First, individuals (opinion leaders) who pay full on close attention
  to the mass media and its messages receive the information. Opinion leaders
  pass on their own interpretations in addition to the actual media content.
  The term ‘personal influence’ was coined to refer to the process intervening
  between the media’s direct message and the audience’s ultimate reaction to
  that message. Opinion leaders are quite influential in getting people to
  change their attitudes and behaviours and are quite similar to those they
  influence. The two-step flow theory has improved our understanding of how the
  mass media influence decision making. The theory refined the ability to
  predict the influence of media messages on audience behaviour, and it helped
  explain why certain media campaigns may have failed to alter audience
  attitudes on behaviour. The two-step flow theory gave way to the multi-step
  flow theory of mass communication or diffusion of innovation theory. | 
| 
Does this theory see the
  audience as active or passive? Why do you think this? 
Semi passive audience as they passively take in the information of
  what the media say. 
Social network choose what you show. Whilst this model still suggests
  that we rely on others to help us understand messages, and that others
  influence how we consume; it is treating the audience as active and not
  passive. | 
| 
Apply the theory to a film
  of your choice. If the theory is correct, what will be the response of the
  audience to the film? 
a movie which this theme is applied to is the film Mean Girls (2004), where the social system is greatly influenced by
  “opinion leaders” who forms others’ opinions. Mean Girls, loosely based
  around Rosalind Wiseman’s Queen Bees and Wannabes, audiences embark on a
  narrative that contains the generic clique system ‘The Plastics’ and the
  outsider straight from Africa and home schooled, Cady Heron. Mean Girls has
  these archetypes in many forms such as Karen the ‘bimbo’; however there is an
  element of subversion in characters, as they will have traits that do not
  conform to the archetype characters, as seen in the main protagonist, Cady. | 
| 
Theory  5:  
Cultivation Theory | 
| 
Theorist/s: 
George Gerber. | 
| 
When did the theory start? 
Mid 1960s | 
| 
What is the theory? 
The theory is about how TV influences people and what gradual long
  term affects it has on the people watching it as well as how the people could
  be influenced, but it happens over time as it reinforces opinions by not
  changing it as it just matches your thoughts and reinforces your own views. | 
| 
Does this theory see the
  audience as active or passive? Why do you think this? 
Passive audience as it generally fits into what you believe in. | 
| 
Apply the theory to a film
  of your choice. If the theory is correct, what will be the response of the
  audience to the film? 
The Dark Knight Rises (2012) 
One majortheme is the
  concept of resurrection – Batman rises from “hell” the placed called “hell”
  on earth” in the film is a literal pit where people die, but it is extremely
  uncommon that people make it out alive. Jesus on the third day got up from the grave with all power in His hands. Interestingly, Batman was only in the pit for a little bit of time just like Jesus. Throughout the Gospels Jesus’ boldness about Him returning is prevalent. While talking to His disciples Jesus answered and said unto them, Destroy this temple, and in three days I will raise it up” (John 2:19, King James Version). In this passage of scripture Jesus is talking about His body, not the literal temple. While in the pit, Batman’s body went through transformation he became stronger and faster while being cast down. “Therefore I take pleasure in weaknesses, in reproaches, in necessities, in persecutions, in distresses for Christ's sake: for when I am weak, then am I strong” (2 Corinthians 12:10, King James Version). He is determined to rise up even though there is a battle ahead of him, he allowed his own body to be bruised and broken for his people just like Jesus did. | 
 
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