LUMIERE BROTHERS
Who were the Lumiere brothers?
Lumière brothers, French
inventors and pioneer manufacturers of photographic equipment who devised an
early motion-picture camera and projector called the Cinématographe (“cinema”
is derived from this name). Auguste Lumière and his brother Louis created the
film La Sortie des ouvriers de l’usine Lumière (1895; “Workers Leaving the
Lumière Factory”), which is considered the first motion picture.
The Lumière brothers were
born in Besançon, France and moved to Lyon in 1870, where they both attended La
Martiniere, the largest technical school in Lyon
What are the films about?
These
factual shorts (or mini-documentaries), termed actualities, with the
mundane quality of home movies, included the following:
- La Sortie des Ouviers de L'Usine Lumière à Lyon (1895) (Workers Leaving the Lumiere Factory)
- La Voltige (1895) (Horse Trick Riders)
- La Pêche aux Poissons Rouges (1895) (Fishing for Goldfish)
- Le Débarquement du Congrès de Photographie à Lyon (1895) (The Disembarkment of the Congress of Photographers in Lyon)
- Les Forgerons (1895) (Blacksmiths)
- Le Jardinier (l'Arroseur Arrosé) (The Gardener or The Sprinkler Sprinkled) (1895)
- Le Repas (de Bébé) (1895) (Baby's Meal)
- Le Saut à la Couverture (1895) (Jumping onto the Blanket)
- La Place des Cordeliers à Lyon (1895) (Cordeliers Square in Lyon)
- La Mer (Baignade en Mer) (1895) (Bathing in the Sea)
The ten
shorts included the famous first comedy (# 6) of a gardener with a watering
hose (aka The Sprinkler Sprinkled, Waterer and Watered, or L'Arrouseur
Arrose), the factory worker short (# 1, see above), a sequence (# 9) of a
horse-drawn carriage approaching toward the camera, and a scene (# 7) of the
feeding of a baby. The Lumieres also became known for their 50-second short Arrivee
d'un train en gare a La Ciotat (1895) (Arrival of a Train at La Ciotat),
which some sources reported was shocking to its first unsophisticated viewing
audience. By 1898, the Lumiere's company had produced a short film catalogue
with over 1,000 titles.
How long are they? Why?
All the 10 films ran on
average 50 seconds long:
1. La Sortie des Ouviers
de L'Usine Lumière à Lyon (1895) (Workers Leaving the Lumiere Factory) (46
seconds)
2. La Voltige (1895)
(Horse Trick Riders) (46 seconds)
3. La Pêche aux Poissons
Rouges (1895) (Fishing for Goldfish) (42 seconds)
4. Le Débarquement du
Congrès de Photographie à Lyon (1895) (The Disembarkment of the Congress of
Photographers in Lyon) (48 seconds)
5. Les Forgerons (1895)
(Blacksmiths) (49 seconds)
6. Le Jardinier
(l'Arroseur Arrosé) (The Gardener or The Sprinkler Sprinkled) (1895) (49
seconds)
7. Le Repas (de Bébé)
(1895) (Baby's Meal) (41 seconds)
8. Le Saut à la Couverture
(1895) (Jumping onto the Blanket) (41 seconds)
9. La Place des Cordeliers
à Lyon (1895) (Cordeliers Square in Lyon) (44 seconds)
10. La Mer (Baignade en
Mer) (1895) (Bathing in the Sea) (38 seconds)
What can you say about the
cinematography and other aspects of the films’language?
By early 1895, the brothers had invented their own device combining
camera with printer and projector and called it the Cinématographe. Patenting
it on February 13th 1895, the Cinématographe was much smaller than Edison’s
Kinetograph, was lightweight (around five kilograms), and was hand cranked. The
Lumières used a film speed of 16 frames per second, much slower compared with
Edison’s 48 fps - this meant that less film was used an also the clatter and
grinding associated with Edison’s device was reduced.
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